The Peanut Butter Conundrum
One of the authors (Polansky) has proposed, for pedagogical reasons, a kind of metaphorical example to illustrate the ethical dilemma presented by virtually unlimited and unrestricted sonic information (not to mention software). He calls it the "peanut butter conundrum."
Lets suppose we have an unlimited supply of peanut butter. Its sold in the usual way in grocery stores, but it turns out to be cheaper for store owners to place it out in front of the store, unguarded. Stealing it is illegal and immoral, but because its plentiful, there is no penalty for doing so. Nor is there danger of getting caught (its left out on the street every night in plain sight). You can have it, theres plenty more, and there are no consequences. But its still wrong! People are requested not to steal itif everyone stole it, peanut butter companies would go out of business and grocery stores would suffer.
We are in a similar situation with respect to cyber-piracy, in terms of both sound and software. We can take as much as we please, and for all practical purposes we cant be prosecuted. Software protection is broken as fast as it is created. In at least one electronic music graduate school we know of (not our own!), students, with full knowledge of their professors, crack software (mostly programs they would like to use) as a kind of unofficial extracurricular activity in their music technology education.
Theres no question that piracy is wrong, but its also useless to explain this to hackers and artists who bristle at the very notion of software protection. In many cases they themselves are churning out innovative, high-quality public-domain software. They see themselves as cyberRobin Hoods and have little sympathy for complicated protection schemes that make their own work (educational and artistically oriented) difficult for the sake of being difficult (since they could not afford to buy the stuff to begin with!).
©Burk/Polansky/Repetto/Roberts/Rockmore. All rights reserved.